I had the privilege of being part of Paul Debevec's groundbreaking R&D team during my time at Eyeline Studios powered by Netflix, where I was actively involved in pioneering volumetric capture technologies, working as senior technical director on Yu Yu Hakusho and many other feature films / TV series.
I gathered together some interesting publicly available information about the volumetric capture technology used.
Behind the scenes breakdowns for reality twin and volume capture efforts.